The horizon is not a subject — it is a measure.
A single line, always at the centre, lets every other tone be read against it.
Long exposure is patience made visible.
Two to three hours per frame; the waves average themselves into a single luminous surface.
Grayscale is wider than colour.
From near-black graphite to near-white silver, the print holds gradations the eye barely registers.
A photograph of water is a photograph of time.
What appears empty is hours of weather, light, and breath accumulating on the plate.