The wall is poured once, and only once
No render, no plaster, no second skin. The surface you touch is the surface that was cast — board grain, tie-holes, and seams left in plain view.
1
2
Light enters from above, never from the side
Top slots let the gray read as luminous, not heavy. The mass stays archaic while the room above it stays quietly alive.
3
Proportion is primitive, measured by the body
Rooms sized to the figure they hold, not to a module sheet. The galleries step in width to match each relief that waits inside.
4
Nothing is added that the concrete cannot say
No heating, no trim, no ornament beyond the seam. The building is left cold and silent so the work it shelters stays loud.