The screen is not a page.

Last winter, I moved a working archive from a printed index into a field of planes. The records did not become more useful because they were digital; they became legible when scale, distance, and sequence could change together. A heading could recede without becoming less true.

Structure arrives by scale

That distinction changes the editorial brief. On Planefield, a note is not a sheet waiting to be filled: it is a coordinate in a live register. We keep the grid strict, then let each layer carry its own depth, opacity, and pace. The reader is not scrolling through a stack; they are choosing a view.