A single cardinal stroke does what twelve colours can't — it forces the eye to one wound on the page.
We expose to photogravure grey, never paper-white — the dark is the subject, the image only emerges from it.
Each headline is warped by hand until it strains — type that breaks the grid reads louder than type that obeys it.
We collage cropped silver-gelatin fragments — a hand, an eye, a curtain — and let the grain carry the dread.