I grew up on Derekh Beit Lehem, in a house whose limestone facade was dressed by hand in the winter of 1949. Every block bore the parallel grooves of a toothed chisel. In the afternoon light, that face of stone turned a shade I still cannot name: not grey, not beige, not warm, not cold.
The Ordinance at One Hundred
The McLean ordinance of 1918 gave Jerusalem a binding material language: locally quarried meleke limestone, dressed by hand, coursed in ashlar. Its severity was not ornament. It was civic coherence made visible.