Begin with open ground
The first decision is restraint: one broad field, then only the line the wall can hold.
Oji House field notes
The line keeps memory
A quiet working method for marks that breathe against the earth wall.
Let the hand remain visible
Each curve keeps its small unevenness, so the system feels drawn rather than stamped.
Carry meaning in intervals
Spacing does the speaking; the kaolin reserve gives every mark enough air to be read.
Finish before the wall is full
The strongest composition stops early, leaving shadow, clay, and silence in the frame.