How We Define Space
1
Light as a neutral medium
Every work receives the same even illumination — we dissolve hierarchy between objects before the viewer arrives.
2
Absence makes the eye listen
Generous margins between works sharpen perception; we trust negative space to carry more weight than any frame.
3
The wall as first mark
A matte plaster surface, precisely tinted, is itself an act of curation before any object arrives to meet it.
4
Time spent is the only metric
We measure engagement not in scans but in stillness — the longest gaze determines what remains on view.