Color carries the charge
Red, yellow, and green are not accents here; they are the argument, printed loud against the black field.
Type shouts in blocks
Compressed headline stacks sit upright like pasted poster cuts, with every letter carrying a little pressure.
Collage turns proof into protest
Raised fists, press fragments, and stage silhouettes collapse into one image so the politics stay visible.
The square keeps the pressure
Twelve-inch proportions force music, warning, and image to share one militant frame without losing the rhythm.