The frame is a question
Every composition asks the eye where to settle. We compose answers with light and shadow, not decoration.
Light before color
Monochrome exposes structure that saturation conceals. The image begins in contrast, not in hue.
Grain is a signature
Imperfection carries the maker's mark. A digital surface leaves no fingerprint, no history, no hand.
The cut is the argument
What happens between images is where meaning settles. Editing rewrites time, one frame at a time.