The beast sees before the mind thinks
Every mark begins in the gut, not the grid — four hundred works in year one, without a single sketch.
Every mark begins in the gut, not the grid — four hundred works in year one, without a single sketch.
Blood red on ultramarine. Sun yellow on acid green. No pastels, no apologies, no second pass.
Every figure gets a thick black contour — not to cage it, but to give the violence a frame.
The youngest painter was nineteen. The oldest refused to grow up. Both were right.