Nothing Is Merely Background
1
Horror vacui is respect for space that refuses to stay empty
Each panel rewards the eye with a creature, a fruit, or a parable — nothing is merely background.
2
Color saturation is a moral position, not decoration
Pastel dawn beside pond-green beside hellfire orange — jewel tones preserved across five centuries of oil glaze.
3
The eye must wander, never settle on one focal point
No central hierarchy, no hero element — the triptych rewards those who look everywhere at once.
4
Every figure contains a complete narrative in miniature
A fish on stilts, a rider on a bird — each vignette is self-contained yet woven into the theological whole.