The Case for Black

The surface demands only attention No image, no symbol, no gesture — a square of near-black awaiting a willing eye.

Black holds every color within it Red-black, blue-black, green-black, brown-black: four temperatures compose one field.

Symmetry refuses narrative The cruciform divides the canvas into nine equal zones — no hierarchy, no focal point.

Time is the only medium that matters The painting reveals itself over minutes, not seconds. Slowness is its material.