Utamaduni / Culture

The Painters Who Never Left Oyster Bay

Sixty years after Edward Said Tingatinga mixed his first can of bicycle enamel, the cooperative he founded still paints the same hardboard squares.

Amina Mwangi · March 14, 2024 · 9 min read

I first saw a Tingatinga painting at Coco Beach in 2016 — a giraffe, seven flat colors, every outline exactly two strokes of a brush, the hardboard still sharp with bicycle enamel. The painter wanted twelve thousand shillings. I paid fifteen and carried it to my guesthouse in Oyster Bay. It hung above my bed for three weeks and I never stopped noticing new details in those seven colors.

Enamel on Hardboard, Nothing More

Eighteen painters share three rooms behind a tin gate on Mandela Road, past a mango tree that drops fruit on the parking lot every December. Each works on hardboard from the same supplier in Kariakoo. The palette has not changed since 1968: yellow, green, blue, crimson, orange, white, black — seven tins from the hardware store on Samora Avenue. Edward Tingatinga chose those colors because they were cheap, and the cooperative kept the same seven tins from season to season.