The drying trays are still there. Wooden frames, three metres wide, laid across terracotta terraces that the rainforest has been claiming for fifty years. When I arrived at Roça Agostinho Neto last January, a woman named Conceição was turning cocoa beans by hand under a corrugated iron roof that no longer kept out the rain. She had been doing this since she was eleven.
A Landscape Built on Extraction
The Portuguese established over two hundred roças across the archipelago at the height of the cocoa boom. By 1908, São Tomé was the world’s largest producer. The plantation houses — pink-walled casarões with wrought-iron balconies and azulejo-tiled corridors — were designed to project permanence. They were also designed to control labour. Workers arrived under the contract system from Cabo Verde, Angola, and Mozambique, bound to estates where the architecture itself became a mechanism of surveillance.