Don Esteban's workshop smells of cedar before you see color. His grandfather built plain carretas for the Tarrazú coffee fincas. When Esteban picked up a brush, every surface was already waiting to become canvas.

La Geometría de la Identidad

Sarchí's sixteen-spoke mandala didn't emerge from whim. Each concentric ring served a purpose: jet-black outlines defined territory, fire-red centers marked provenance, and cobalt rings declared which workshop had laid brush to wood.