Música e Poder

O Sol Não Espera

On the radical politics of making beautiful music under an ugly regime — and why its lessons still burn in our algorithmic present.

MC Marina Costa 14 de março de 2024 12 min de leitura
Ensaio

I first heard Caetano Veloso on a scratched vinyl in a Salvador bookshop during the summer of 2019. The shopkeeper — a woman who remembered the military raids on Rua Chile — played it without asking, as if the song itself demanded to fill the room. What struck me was the music's absolute refusal to pick a side.

The Dictatorship Could Not Ban a Feeling

The military junta that ruled Brazil from 1964 understood power, censorship, and control. What they never understood was beauty. When Caetano and Gil were arrested in December 1968 — weeks after Tropicália ou Panis et Circencis — the regime believed exiling its loudest voices would end the movement. They were wrong.

"A ditadura não podia proibir o sol. A música já tinha saído pela porta." — Caetano Veloso, Verdade Tropical